1 Alternate lyrics referencing Sphere visuals during the song.
2 Unfinished.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'893
- '90-'943
- '95-'005
- '15-'194
- '20-now1
The studio home of each song, from phish.net. Covers count as one slice.
- The Story of the Ghost2
- A Picture of Nectar1
- Big Boat1
- Hoist1
- Rift1
- Round Room1
- Sigma Oasis1
- Covers7
- No studio album2
Shows since each song's previous appearance. A big number is a bustout.
- 3-51
- 6-1510
- 16-506
Whose songbook tonight drew from.
- Phish original10
- Trey Anastasio2
- Amfibian1
- Clifton Chenier1
- Ghosts of the Forest1
- Josh White and Sam Gary1
- Talking Heads1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
After warning some hot dogs to get out of his face, Trey is primed and ready to take Axilla deep again. The band is comfortable hanging in the murk of the song and doesn’t rush towards any of their “comfort jamming zones.” The jam feels gooey as it oozes along. Those who don’t need their jams to peak should seek this out. > into “Cities”.
Cosmopolitan jam that stays fairly close to home rhythmically but departs melodically under Trey’s lead, brightening and decorating the neighborhood with a brisk and buoyant optimism and a gentle uplift before returning to the song to conclude.
Steps out of the box with low-key minor jamming which then becomes more mellow and dreamy as it transitions to major with synths and then > "Blaze On".
A dark, spooky, and contemplative affair that maintains forward momentum thanks to Fish’s pushing before shifting efficiently to an upbeat melodic climb with familiar motifs and a crushing climax that decays into an ambient sample laden froth.
Versions phish.net's jam charts single out as noteworthy.
For Timber (Jerry the Mule), the view became a tunnel made of forest, with the sky as the light at the end. Trey used alternate lyrics during Axilla (Part II) that referenced the visuals, saying, "Don't shine that hot dog in my face...grind it, grind it..." Chalk Dust Torture was unfinished. For First Tube, the scene was a virtual fireworks display.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.