Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'894
- '90-'941
- '95-'005
- '03-'041
- '09-'141
- '15-'192
- '20-now3
The studio home of each song, from phish.net. Covers count as one slice.
- Billy Breathes1
- Evolve1
- Farmhouse1
- Rift1
- Round Room1
- The Siket Disc1
- The Story of the Ghost1
- The White Tape1
- Covers5
- No studio album5
Shows since each song's previous appearance. A big number is a bustout.
- 3-52
- 6-1511
- 16-504
- 51+ · bustout1
Whose songbook tonight drew from.
- Phish original13
- Trey Anastasio4
- Cyril Ferguson1
Rarer than most - 1 song shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
Bliss-rock at the front gives way for more assertive, rocking play before a series of modulations begins a push and pull between major and minor key tonalities. Settling towards a funky rock zone, the band finds stability and turns the jam into am ebullient, funk-rock rave-up with a smidge of space-y ooze along the edges. This then drives towards a verve-filled peak rock section before concluding with “SYSF’s” closing chorus.
The jam vehicle of the mid-2020s drives forward in a thick groove space right out of the gates. At 10:20 Trey moves into a rawk space before sliding into a Page/Trey duel that brings back memories of Fall 2021 Phish. Trey's chordal bursts at 16:15 push the jam into a new direction before building to a heroic peak. This then fades off into a sprawling guitar-led psych jam before resolving into rhythmic WOOs. Hinting at a return to the song's chorus, Trey instead pushes the band into a swirl of noise that resolves in Piper.
A true slow build Piper, the jam builds like all Pipers do before locking in around a Trey and Fishman duel. A chordal peaking jam, this never strays too far from what Piper does best, but it's worth hearing all the same.
Versions phish.net's jam charts single out as noteworthy.
Before The Man Who Stepped Into Yesterday, the view of The Barn in Vermont (which had been the pre-show backdrop) was submerged in a flash flood. The Lizards was then accompanied by Gamehendge-centric animation. Following Vultures, Trey remarked that he could listen to Fish do the ending "all night," to which Fish replied, "I hate my job."
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.