Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'894
- '90-'944
- '95-'005
- '03-'041
- '09-'144
- '15-'191
The studio home of each song, from phish.net. Covers count as one slice.
- Fuego2
- Hoist2
- Round Room2
- The Story of the Ghost2
- Billy Breathes1
- Farmhouse1
- Rift1
- Sigma Oasis1
- The White Tape1
- Covers5
- No studio album2
Shows since each song's previous appearance. A big number is a bustout.
- 1-22
- 3-55
- 6-157
- 16-506
Whose songbook tonight drew from.
- Phish original15
- Trey Anastasio2
- New York!1
- Son Seals1
- The Rolling Stones1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Effects-laden grime coasts on the tail end of a type I jam. Mike leads a charge to D, which goes ignored at first, but this lays the bedrock for a patient and breathtakingly happy shift towards bliss territory roughly halfway through the jam as Page and then Trey finally follow. A hose jam builds from the ether thanks to whale call and a foundational groove from Mike, eventually reaching a sustained peak with multiple releases of tension in a shower of joy over Everything that is Right with the universe. A final chorus and then dissonant noise paves the way for a > "Disease".
The "yang" to Set II's opening "Everything's Right", this supersized (and supersonic) version perfectly illustrates how seemingly opposite, or contrary forces, function in compliment. As if thematically connected, the band taps into the set-opener's protracted improvisation, and works this sound in opposite, exploring any number of dark, layered passages, which evoke any number of points in Phish's career.
Versions phish.net's jam charts single out as noteworthy.
DWD was unfinished and included an Under Pressure tease from Trey.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.