Phish - July 28th, 2018

One of the best versions in some time. > from "Suzy Greenberg," Trey, around the three-thirty mark, works a warm and melodic "Mountain Jam" tease, his play effortless and breezy - a perfect take given his tone. Page sounds grand on his concert G, and Fish's propulsive beat, offset with perfect fills, whips the version through powerhouse play, with Mike anchoring a jam which bends, but doesn't quite break. Trey drops those epic "Timber" licks and the song concludes properly -> some sonic soul shaking vamping.

Flirts with major-key play early on, reverts back to minor with Trey employing an organ-like tone, and then breaks into some immensely upbeat jamming until the final chorus.

One of those "Writing about music is like dancing about architecture" versions, but here goes: A strong composed section cools and, wonderfully, in lieu of working through pleasant, but familiar space, Trey seems to toy with "The Little Drummer Boy" (11:02), a line which leads through a passage(s) of concerted, cerebral, full-band play. The jam becomes stately, and "Coil"-esque in nature. But this is no outro. More great soloing follows as Trey works the music to a perfectly balanced peak.

Breaks out with some brief funk and quickly evolves into a warmer groove with Page and Trey trading lead duties before guitar takes over as the jam gallops to a peak and dissolves into "Wingsuit".