Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'897
- '90-'944
- '95-'002
- '09-'141
- '15-'191
- '20-now1
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar2
- Lawn Boy2
- The White Tape2
- Billy Breathes1
- Farmhouse1
- Covers4
- No studio album4
Shows since each song's previous appearance. A big number is a bustout.
- 3-53
- 6-159
- 16-502
- 51+ · bustout2
Whose songbook tonight drew from.
- Phish original12
- Trey Anastasio2
- The Beatles1
- The James Gang1
Rarer than most - 2 songs shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
Here the jam almost stalls before it begins, but instead churns in a murky space, finding some direction behind Page’s lovely Rhodes work which acts as prelude to both Mike and Trey asserting themselves. Fish’s rhythmic diversity pushes the improv further and everyone contributes to an intensifying stew that spreads out as a broadening plateau before leading to the eventual return.
Another latter-day jam that Stefon from SNL would be proud of, because, “It has everything.” From emotive play to funk. From upbeat Fish-led rock with ebullient play from Trey, that eventually gives way to an ambient, dream-like outro.
Versions phish.net's jam charts single out as noteworthy.
Trey teased Streets of Cairo in Buried Alive. Colonel Forbin's Ascent and Fly Famous Mockingbird featured elaborate Gamehendge-focused animation, including depictions of Icculus, the Lizards, Tela, and a multi-beast. During Sigma Oasis, perspective shifted to a view from inside a bird egg, which eventually hatched to join two baby birds in a nest with a majestic mountain view beind them. After a short time, a parent arrived with a meal, with great approval from the babies. As the jam reached a peak, the view followed the young birds as they jumped from the nest and soared through the valley. Before playing Walk Away, Trey acknowledged Joe Walsh, who was in attendance, and told him that his music was some of the first songs the band members ever played and "the basis for everything that we do is you." During Tweezer, the perspective began by following a car on an amusement park ride as it entered a giant mouth and was swallowed. Eventually the view reached the "stomach" where pipes and waterfalls emptied into a central pool containing several rubber ducks. Later in the jam, the scene reached a large room encircled with fans, and a breathing set of lungs suspended from the center. Ultimately the view returned to the mouth, lingering on the tongue which was set with furniture, before a wrecking ball outside shattered the teeth as the jam concluded. During Run Like an Antelope, viewers were taken inside a honeycomb hanging on a tree, passing through corridors to a chamber with honey dripping from the ceiling into a honey lake below. Fish performed the second set and encore wearing a hot pink wig.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.