Phish - July 9th, 2025
Jerome Schottenstein Center · Columbus · OH
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'893
- '90-'943
- '95-'004
- '09-'144
- '15-'192
- '20-now4
The studio home of each song, from phish.net. Covers count as one slice.
- Hoist2
- The White Tape2
- A Picture of Nectar1
- Evolve1
- Farmhouse1
- Fuego1
- The Story of the Ghost1
- Covers8
- No studio album3
Shows since each song's previous appearance. A big number is a bustout.
- 3-51
- 6-1511
- 16-506
- 51+ · bustout2
Whose songbook tonight drew from.
- Phish original12
- Trey Anastasio5
- Amfibian1
- Shuggie Otis1
- The Rolling Stones1
A deep-cut night - 2 songs shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
Another new version suggests the song's recent resurgence may be no fluke at all. While not breaking new ground, Trey leans, and quite well, into familiar 'shapes' and sounds, before finding, and exploring, a nifty musical phrase which he drives throughout this fun, playful excursion. As the others catch on and play off Trey, direct full-band jamming builds to bring the song to its old-school close, replete with Page's twinkling keys bleeding into beautiful 'silence.'
Ease meets confidence as the four friends create a meld of the delicate and the thunderous ornamented with cascades and flourishes from both Trey and Mike that mark this version for closer listening.
Cool play coasts atop a mellow groove which finds Trey strumming his way into strong, protracted and, at times, melodic soloing. Offset by measured, calibrated play, Page, near the 6:30 mark, pushes for 'brighter' sounds, his synth not so much leading the way as offering direction. Trey plays with this idea before dropping into a lower register, runs through the tune's signature line, and guides the song to a close.
The jam finds itself immediately brimming with ideas simply by using the inertia of its driving rhythmic push. A downshift around the 10 minute mark finds the band in new territories, centered around a hypnotic, repeating bass line. With an unrelenting rhythmic center, an inspired, densely layered slab of music emerges and makes itself at home, before the clarion call of "Percussion Rinse!" signals an end. Excellent.
This is familiar, feel-good Phish. Mike works to nudge the jam in a different direction, but Trey surges forward, pushing the band not to a false, but a near peak. Pleasantly, the jam assumes a new identity past the 12:00 mark, and from here Trey moves through a number of ideas (which becomes fairly interesting full-band play). Enough by way of 'muted' introspection allows for an impassioned "Bowie"-esque "peak," before Trey abruptly returns to close the song
Remarkable for its unrelenting drive, this high-energy bliss bomb is akin to a full-speed highway drive on a hot summer day. Trey makes it known immediately that he'll lead the charge, which he does through a series of peaks, and brief downshifts, all underpinned by the rhythm section's undeterred push. This eventually leads to a sparkling fanfare peak, before the tides recede and > "Lonely Trip".
Versions phish.net's jam charts single out as noteworthy.
Vultures contained teases of the theme from The Jetsons. Trey teased Birds of a Feather during Martian Monster. Petrichor was played for the first time since August 13, 2022 (121 shows). Mike teased Petrichor in A Wave of Hope. Waiting All Night was played for the first time since October 24, 2021 (164 shows).
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.