Phish - June 21st, 2025
SNHU Arena · Manchester · NH
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'896
- '90-'943
- '95-'005
- '09-'141
- '15-'192
- '20-now1
The studio home of each song, from phish.net. Covers count as one slice.
- Billy Breathes2
- A Picture of Nectar1
- Fuego1
- Hoist1
- Junta1
- Lawn Boy1
- The Story of the Ghost1
- Covers5
- No studio album5
Shows since each song's previous appearance. A big number is a bustout.
- 1-21
- 3-57
- 6-155
- 16-505
Whose songbook tonight drew from.
- Phish original13
- Ghosts of the Forest2
- Jimi Hendrix Experience1
- Strauss, as interpreted by Deodato1
- Trey Anastasio1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
The first in a set of strong Summer '25 versions begins with a bouncing, plucky opening which gives way to more fluid play as it builds to a glimmering, multipart peak.
Quickly turns up the heat on the standard outro and soon becomes a ripping torrent. Short, sweet, devastating.
Takes the form of a gradual, stunning sunrise. The jam starts in a minor mode, contemplative and soft in a pre-dawn dark. Patience and group listening creates space for every voice. Fishman pushes the gentle ascent, Mike soars around 7:00, then Page and Trey take turns delicately opening the hose. The mood brightens until a bright-but-not-blinding daybreak erupts around 14:00, bringing the warmth of dawn. Evocative, emotional bliss reigns until a return to theme ends the journey without a wasted moment.
Hazy, phase-y psychedelia breaks early on for ebullient, sunny grooves as Trey's crystalline Koa 1.5 tone shines brightly. A bit of minor darkness briefly creeps in, as the textural palette then expands exponentially into more space-y, synth dense pastures. The jam finds its "je ne sais quoi" here as a minimalist, hypnotic world opens up, anchored rhythmically by Page's insistent clavinet work. The music then forms up behind Trey's insistent, scratchy rhythm playing and Fishman's relentlessness, remaining wholly psychedelic before finally winding down and > "A Wave of Hope".
Versions phish.net's jam charts single out as noteworthy.
Trey teased Halfway to the Moon in Stash. Also Sprach Zarathustra included a Let's Go Blue tease.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.