Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'891
- '90-'943
- '95-'005
- '09-'142
- '15-'192
- '20-now2
The studio home of each song, from phish.net. Covers count as one slice.
- Big Boat2
- Hoist2
- Billy Breathes1
- Joy1
- The Story of the Ghost1
- Covers5
- No studio album3
Shows since each song's previous appearance. A big number is a bustout.
- 1-26
- 3-56
- 6-152
- 16-501
Whose songbook tonight drew from.
- Phish original10
- Trey Anastasio3
- Amfibian1
- TV on the Radio1
A greatest-hits night - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
> from "Theme". Where Trey might typically take his soaring solo, the song takes a much more subdued direction, indicating this isn't going to be the standard "BOTT" fare. Rollicking and upbeat one minute, spacey and searching the next. Things build from there into a fiery crescendo of a peak before returning to the song proper to close things out.
Major key play breaks away early, galvanized by Fishman's cowbell-inflected groove subversions. Eerie effects creep in to create a cerebral, spacey atmosphere before Page's piano brings the band back toward major key pastures for a candy-coated romp. The band then locks in here and rides towards a big crescendo. The main "Golden Age" riff then seeps back in, pushing the band towards a delightful passage of intricate effects-based psychedelia centered around a groove similar to "Split Open and Melt", before -> "What's Going Through Your Mind".
Versions phish.net's jam charts single out as noteworthy.
Golden Age ended with a Split Open and Melt jam.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.