Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'893
- '90-'943
- '95-'007
- '09-'141
- '15-'191
- '20-now3
The studio home of each song, from phish.net. Covers count as one slice.
- The Story of the Ghost2
- A Picture of Nectar1
- Billy Breathes1
- Hoist1
- The White Tape1
- Covers9
- No studio album3
Shows since each song's previous appearance. A big number is a bustout.
- 1-22
- 3-59
- 6-156
- 16-501
Whose songbook tonight drew from.
- Phish original9
- Trey Anastasio7
- Son Seals1
- Talking Heads1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Trey dials up a friendly fest opener, the band eschewing "funk" in favor of warm, inviting play, with (these days) unsurprisingly sprite Trey, solid Mike, offset by particularly plucky contributions from Fish and Page.
An expansive, Festival Phish worthy take that sees the band casting a wide net through multiple sections. As the initial "Wolfman's" muck-funk jam breaks apart, the band then passes through multiple vignettes, including a "Cissy Strut" tease, an extended passage of sunset psych-grooves, and a near-pivot towards "Heavy Things" that instead catalyzes an anthemic peak section, before returning to the "Wolfman's" theme to close.
Strong set-closer marked by impressive, collective, improvisation. Patient, Trey pushes the band to, and through, a pointed peak before the band returns to land "Sand's" signature riff.
Nothing green here. With Trey back on lead vocals, a great version of the song breaks from what already seems like a signature lick to spark a huge jam. About seven minutes in, sound swells to inform that patterned bounce, and then the effects kick in, with Page laying heavy on his synths. Play coasts before, as one, the four become more active, propelling the play. Trey shears blocks of sound, an impossibly cool pattern, one that, on Fish's back beat, builds to a thrilling conclusion.
> from "CDT," play is gorgeous, melodic, and enchanting, before a stunning drop into dizzying mayhem eventually >'s into "Prince Caspian." Choice version.
> from "Light". Given this was the first festival "Caspian" since Magnaball, this version had a lot to live up to. It's a fun jam featuring a "Sneakin' Sally" tease, a smattering of "Woos" and a truly sublime end section. A worthy follow-up to Magna's.
Versions phish.net's jam charts single out as noteworthy.
This was the first show of the Mondegreen festival. Wolfman's Brother contained Cissy Strut teases from Trey and Heavy Things teases from Fish. Mike teased Nellie Kane in Chalk Dust and Sneakin' Sally during Caspian. Trey teased Crosseyed during Everything's Right. Saw It Again contained additional lyrics from Trey referencing "a Phish festival from this point of view," "two moons," and "a gorilla in a Fishman dress."
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.