Phish - August 4th, 2023
Madison Square Garden · New York · NY
1 Phish debut.
2 Lyrics changed to "central part of New York City."
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'896
- '90-'943
- '95-'005
- '03-'041
- '15-'191
- '20-now1
The studio home of each song, from phish.net. Covers count as one slice.
- The Story of the Ghost3
- Junta1
- Lawn Boy1
- Round Room1
- The White Tape1
- Covers5
- No studio album5
Shows since each song's previous appearance. A big number is a bustout.
- 3-51
- 6-1512
- 16-502
- 51+ · bustout1
Whose songbook tonight drew from.
- Phish original12
- Ghosts of the Forest1
- Mike Gordon1
- Talking Heads1
- The Beatles1
- Trey Anastasio1
A typical night, rotation-wise - 1 song shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
Jam starts with typical play before the band hooks up on a major key motif. High level interplay follows, and Trey touches the sky with a long, sustained note which culminates in a full band crescendo. The energy shifts towards minor key before returning to the "46 Days" riff to close.
Fire Fish rolls on through the four-minute mark, when he teams up with Trey, the friends synching to create the first of a couple markedly cool improvisational passages. Breaking free, Trey soars above Page, who, with Mike, creates all sorts of colors in sound. Play concludes with a decidedly Allman's vibe, Phish just fresh enough to be surprisingly unfamiliar. They return to "BOAF's" signature melody and classic coda.
The jam escapes the confines of "Halley's" by way of staying on "A", and a brief but potent excursion ensues. A propulsive, upbeat minor key groove develops, with Trey cycling through effects atop Page's Rhodes, Mike's synth bass, and Fishman's steady pulse. A major mode shift then catalyzes a smooth -> "Roggae".
Almost exactly 6 years to the day, "Mike's" gets another monster run as the Set II opener at MSG after 8/2/17's Baker's Dozen stunner. After a spirited, if routine first jam, the second jam forges ahead at 8:45 with a progressively upbeat display of the band's ability to weave a tapestry of interplay as they cycle through the changes. Trey's walkup at 19:20 signals a blowout finale on the horizon which arrives in full a few minutes later, after which the closing chords are repeated, then > "Sand".
Acting as the palate cleanser between a titanic "Mike's Song" and a breakneck "Crosseyed and Painless", this version opts for supreme patience despite its short run-time. Trey's throwback Whammy loops set the tone, as the band settles into a blissy psychedelic space. This then slowly builds to a swirl of hose-y playing before setting MSG on fire with a -> "Crosseyed".
One of the fastest paced versions to date explodes -> out of "Sand" and launches a thrilling straightforward jam before taking its foot off the gas around 7:30 and downshifting into a more contemplative space.
Versions phish.net's jam charts single out as noteworthy.
This show featured the Phish debut of Back in the Bubble. Halley's Comet's lyrics were changed to "central part of New York City." Trey teased We're Off to See the Wizard in Roggae and Nellie Kane in Crosseyed.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.