Phish - September 3rd, 2022

Another version that breaks form with grime out of the gate and then develops a "There is a Mountain" theme before dipping back into the muck at 11:30. From there the jam eventually winds its way into uplifting territory once again for an exuberant peak.

In the longest version since Lakewood 2015 (since surpassed by 7/23/23), the band treats us to a buffet of '22 sounds. Coming out of the gate with a rollicking, fast-paced jam that transitions through discrete sections as Trey toys with his tone, play brightens with outstanding contributions from Mike and Page. Fishman seems to anticipate each melodic turn that Trey takes as the jam builds intensity and takes on a sharper edge. The last couple minutes serve as transitional space highlighted with washes from Page on the Moog before finally giving way to "Sigma Oasis".

Departing fairly quickly from the song structure, "Moma" here takes at first a slightly contemplative turn with Mike leading and Page on piano. Trey begins to assert himself with some rhythmic effects play that eventually gives way to more aggressive, snarling leads from the frontman culminating in a fist-pumping rock peak that fades to "No Quarter".

> from "No Quarter". Extra flourishes from Trey indicate this version may not be a typical "2001". Trey's play ranges from plucky and upbeat to blissful and melodic. This is a neat version that should be heard for its uniqueness. > "Melt".

Sheets of sound seethe and engulf the listener in a sonic maelstrom that pulses and threatens total dissolution without yet finally releasing its tenuous grasp on the song proper. A chilling, thrilling excursion that must be experienced as much as heard.