Phish - February 26th, 2022
Moon Palace · Cancun · Quintana Roo · Mexico
1 Contained Axilla II ending.
2 During the pause, Trey asked Chris Kuroda to turn off the lights.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'892
- '90-'946
- '95-'003
- '03-'041
- '09-'141
- '15-'192
- '20-now1
The studio home of each song, from phish.net. Covers count as one slice.
- The White Tape2
- A Picture of Nectar1
- Big Boat1
- Billy Breathes1
- Farmhouse1
- Hoist1
- Rift1
- Undermind1
- Covers2
- No studio album5
Shows since each song's previous appearance. A big number is a bustout.
- 1-23
- 3-54
- 6-156
- 16-503
Whose songbook tonight drew from.
- Phish original14
- Talking Heads1
- Trey Anastasio1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Pivots smoothly into a nice warm Page-driven upbeat jam, with some really lovely trilling from Trey, then picks up the pace at Fish's urging and hits an anthemic zone before a surprising -> into a very good "Your Pet Cat".
-> out of "Twist". Continuing "YPC"'s unexpected run as a jam vehicle, this baby turns into a real Page synthesizer showcase, briefly delving into The Weirdness before Trey's solos bring us back to "YPC" proper.
Like a cross between a breeze and the space between stars, the jam, a smooth and total sound, breaks free all but immediately and becomes a true show-stopper. Trey, atop Fish's scattershot (off)beat, both creates and occupies space - it feels like it, but he never stops playing - the resulting improv remarkable in its restraint, notable for its ingenuity, and startlingly refreshing. Terrific play from all four creates a sound (driven space, as opposed to ambience; give "ER" a spin, for instance) that will likely stand out from this excellent run. A bit by way of customary play dissolves as the band > for "Cavern."
Massive version features a jam that sounds an awful lot like "Under Pressure." As the jam moves along, all the toys get brought out and effects are used aplenty. Fish remains the backbone, as soundscapes are explored. > into a bluesy, must-hear "Simple."
At 7:30 a sweet, easy-going bluesy groove takes hold (think "Spooky") and brings the jam to a close -> "SaSS". Not a style often seen, but wonderfully employed here.
A sneaky -> into the intro out of a really good "Simple". Trey guns the engines and starts cranking out some filth as Fishman goes absolutely ham behind him, and the band hits a pretty good peak, then Trey switches to chords and they enter "Manteca"-adjacent territory. The improv grows darker-tinged and more late-night energy, but Fish never relents in his percussive assault, giving the jam's second half a real interesting flavor. Damn good stuff, sir.
> from "SaSS." Swinging jam with Fish keeping the tempo up throughout. Setting must be accounted for as this seems like the perfect jam for an evening on the beach. It eventually segues quite nicely -> "Waste."
Versions phish.net's jam charts single out as noteworthy.
Axilla contained the Axilla II ending. Trey teased the theme from Speed Racer in Twist. Trey asked Chris Kuroda to turn off the lights during the pause in Divided Sky, and said "don't shine that thing in my face." Trey teased Fields of Gold in Crosseyed and Painless. Sleeping Monkey was dedicated to their hosts and the beautiful beings that welcomed Phish to their home and contained a Shipwreck quote.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.