Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'895
- '90-'947
- '95-'003
- '15-'193
- '20-now1
The studio home of each song, from phish.net. Covers count as one slice.
- Rift3
- Big Boat1
- Hoist1
- Junta1
- Lawn Boy1
- Round Room1
- The Story of the Ghost1
- The White Tape1
- Covers3
- No studio album7
Shows since each song's previous appearance. A big number is a bustout.
- 3-510
- 6-155
- 16-505
Whose songbook tonight drew from.
- Phish original17
- Trey Anastasio2
- Hot Rize1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
The jam follows a fairly typical funky and crunchy path until around 8:00, when lift off is achieved. A strong peak ensues before downshifting to close.
The actual "Sand" proper is taken at a slower and milkshake-thick pace, and the band luxuriates in the usual "Sand" jam until about the 7:30 mark, when Trey hits on a particularly gorgeous major-key riff and the band follows him to a very pretty space. Page's work on the keys and Mike's rock-steady accompaniment are what to look out for here. Pretty strong peak at the end, too.
Fish adds an extended flourish on the snare at 7:02, which is only a brief look at his fantastic work during this version. He's matched by some aggressive play from Trey in a jam that stays within the bounds of the song.
The first of the two monster jams upon which the reputation of 8/6/21 II sits. Immediately moves into a more low-key zone out of the usual jam, with Page stepping to the forefront on both electric piano and synths and Mike adding some real hip-shaking funkiness to the proceedings. Trey finds a new key, but the funkiness stays intact as Fish kicks into a new gear, and then Trey finds a really neat riff and the band catches on as the jam molds itself around that tropically flavored riff. The jam grows in power and then moves into another danceable segment at Mike's urging, with Trey moving to his effects, then Page goes major key and the band dances around "Mind Left Body" once again before hitting a superb peak and heading home. Absolutely majestic version.
Why we travel from points far and wide to Noblesville, Indiana. Pick a timestamp. 6.37 finds Trey alighting upon a lovely, carefree vibe. Jump to 10.35, and the band is moving through a passage of gnarly, tripped-up disco funk. 12.45 finds Trey (and listen to Page!) working his pedals like it's 1995. Or something. 15.15 features Trey shearing sound, the band deep in psychedelic play that makes recent Melts blush (the focus / the cohesion). Pick a point and it just might be your favorite .... Before the band, taking a victory lap, returns to simply sing us back home.
Versions phish.net's jam charts single out as noteworthy.
Trey teased Stash in The Wedge. Simple contained a Woman from Tokyo tease. This was the rescheduled date from the show that had been postponed due to the coronavirus COVID-19 outbreak in 2020.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.