1 Debut.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'892
- '90-'944
- '95-'006
- '03-'041
- '09-'142
- '15-'1913
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar2
- Billy Breathes2
- Big Boat1
- Joy1
- The Story of the Ghost1
- The White Tape1
- Undermind1
- Covers6
- No studio album13
Shows since each song's previous appearance. A big number is a bustout.
- 1-22
- 3-56
- 6-158
- 16-502
Whose songbook tonight drew from.
- Phish original22
- Trey Anastasio3
- Amfibian1
- Mike Gordon1
- The Rolling Stones1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
A solid, medium intensity exploratory groove emerges from the typical "Hallley's" outro, with nice interplay between Trey, Page and Mike.
Debut.
Compact bliss jam full of sustained whammy guitar leads over a bed of wavy electric piano.
Versions phish.net's jam charts single out as noteworthy.
Ghost contained a Buried Alive tease from Trey. Trey teased Crazy Sometimes in Halley's Comet. The second set was billed as Kasvot Växt’s i Rokk and consisted entirely of debuts. Kasvot Växt would ultimately turn out to be a fictional band created by Phish with a detailed backstory and fake information added onto various websites. The band came out for the set dressed in white with an altered stage setup and twelve squares hanging from the ceiling illuminated. Antelope contained a quote of The Final Hurrah.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.