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All shows

Phish - October 16th, 2018

Times Union Center · Albany · NY

Tuesday2018 Fall Tour2018-10-16
Songs played
17
3 sets · longest: Set 1 (9)
Average gap
6.6
rarer than 34% of all shows, 8% of 2018
Biggest bustout
-
no 50+ gap songs
Debuts
0
4 covers played
Rotation35% fresh vs previous 5 shows2 repeats from 2018-09-02 - Tube, Character Zero
(Surrender to the) Flow of the night
2:41:16 of music

Song length in play order. Tap a point for that song. Swipe the chart to see the rest.

14:207:10SET 1SET 2ENCOREThe Moma Dance - 8:06 (Set 1)Tube - 11:16 (Set 1)Theme from the Bottom - 9:15 (Set 1)Free - 8:41 (Set 1)Army of One - 4:57 (Set 1)Halley's Comet - 6:04 (Set 1)Everything's Right - 13:13 (Set 1)Cities - 5:56 (Set 1)Walls of the Cave - 11:56 (Set 1)Ghost - 12:01 (Set 2)No Men In No Man's Land - 11:23 (Set 2)Piper - 8:44 (Set 2)Twenty Years Later - 14:20 (Set 2)Show of Life - 9:00 (Set 2)Also Sprach Zarathustra - 7:34 (Set 2)Character Zero - 6:05 (Set 2)Harry Hood - 12:45 (Encore)
Longest: Twenty Years Later 14:20 · 17 songs with recorded lengths
When it debuted

Tonight's unique songs by the era Phish first played them.

  • '83-'893
  • '90-'942
  • '95-'006
  • '03-'041
  • '09-'142
  • '15-'192
Album representation

The studio home of each song, from phish.net. Covers count as one slice.

  • Billy Breathes3
  • The Story of the Ghost2
  • Big Boat1
  • Farmhouse1
  • Joy1
  • Round Room1
  • Undermind1
  • Covers4
  • No studio album3
Gap since last played

Shows since each song's previous appearance. A big number is a bustout.

  • 1-28
  • 3-53
  • 6-154
  • 16-502
Originals vs covers

Whose songbook tonight drew from.

  • Phish original13
  • Trey Anastasio2
  • Strauss, as interpreted by Deodato1
  • Talking Heads1
Rarity board

A typical night, rotation-wise - nothing shelved more than 50 shows.

Gap = shows since the song was last played, at the moment it was played.

Jam chart entries
Tube

Page digs into his bag of tricks at 4:15, layering synthesizers on top of the groove, and later Trey takes charge as the jam becomes more rocking and peaks.

Everything's Right

Retains an understated intensity throughout and after 7:30 takes on a graceful, ethereal feel, coalescing at 9:30 with a truly beautiful sequence of soaring guitar and deep impact bass. Around 11:30, a Page-led groove is introduced which brings things to a close with a slick -> "Cities".

Twenty Years Later

A sick and twisted, evil monster. At first, it sounds like the band is content to tinker with the basic song. But at about 8:00, Fish and Mike hook up and develop a high-power, pulsing and driving base. Chaos ensues, as spacey effects, unusual keyboards, and sick Mike create a throbbing, mind-blowing sensory assault.

Show of Life

Regardless of your impression of this song generally, this version deserves a listen. Featuring heartfelt, emotive play and strong communication and interplay, the band, especially Trey, is clearly "in the zone" here, and fans are rewarded with an exceptionally strong version, a cathartic relief following the insane "Twenty Years Later" which immediately preceded.

Versions phish.net's jam charts single out as noteworthy.

Setlist notes

Trey teased Under Pressure In Piper. Page teased Rhapsody in Blue at the end of Harry Hood.

Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.

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