Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'893
- '90-'942
- '95-'006
- '03-'041
- '09-'142
- '15-'192
The studio home of each song, from phish.net. Covers count as one slice.
- Billy Breathes3
- The Story of the Ghost2
- Big Boat1
- Farmhouse1
- Joy1
- Round Room1
- Undermind1
- Covers4
- No studio album3
Shows since each song's previous appearance. A big number is a bustout.
- 1-28
- 3-53
- 6-154
- 16-502
Whose songbook tonight drew from.
- Phish original13
- Trey Anastasio2
- Strauss, as interpreted by Deodato1
- Talking Heads1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Page digs into his bag of tricks at 4:15, layering synthesizers on top of the groove, and later Trey takes charge as the jam becomes more rocking and peaks.
Retains an understated intensity throughout and after 7:30 takes on a graceful, ethereal feel, coalescing at 9:30 with a truly beautiful sequence of soaring guitar and deep impact bass. Around 11:30, a Page-led groove is introduced which brings things to a close with a slick -> "Cities".
A sick and twisted, evil monster. At first, it sounds like the band is content to tinker with the basic song. But at about 8:00, Fish and Mike hook up and develop a high-power, pulsing and driving base. Chaos ensues, as spacey effects, unusual keyboards, and sick Mike create a throbbing, mind-blowing sensory assault.
Regardless of your impression of this song generally, this version deserves a listen. Featuring heartfelt, emotive play and strong communication and interplay, the band, especially Trey, is clearly "in the zone" here, and fans are rewarded with an exceptionally strong version, a cathartic relief following the insane "Twenty Years Later" which immediately preceded.
Versions phish.net's jam charts single out as noteworthy.
Trey teased Under Pressure In Piper. Page teased Rhapsody in Blue at the end of Harry Hood.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.