Phish - August 8th, 2018

Trey's solo is short and to the point but played with inspiring confidence and results in a strong collective peak.

A multi-passage monstrosity grows its sea legs out of the Delaware River as the band walks this "Everything's Right" around the corner and back. Up top, dark minor-mode jamming is propelled thanks to Page' synth and stellar bass work from Mike; this eventually paves the path to a happy and fluid bliss jam. A second key change first heads for grimy Leslie-driven plinko, until Trey steps up with whale call and a second prominent bliss peak unfolds thanks to Fish's dynamic improvisation. An abrupt return to the final chorus winds down to close out the tune and, in turn, the set.

Played with the intro for only the 3rd time in 3.0 (SBIX, 8/12/15). A warm and delicate jam builds out of the verses proper, which morphs into a darker zone with Page and Mike taking point as Trey goes to his effects. Builds to a pretty sweet peak as Trey takes the reins, then comes to a gentle close.

> from a memorable "Melt", "Stop-Start" / "Woo-Driven" action yields to smooth, fluid soloing (featuring Trey's incredibly warm tone), atop bedrock bass, drums, and Page's groovy play. Short but sweet, a fun way to send 'em home.