Phish - July 26th, 2017
Madison Square Garden · New York · NY
1 Phish debut; a cappella.
2 Phish debut.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '90-'942
- '95-'007
- '03-'042
- '09-'144
- '15-'192
The studio home of each song, from phish.net. Covers count as one slice.
- Billy Breathes2
- Farmhouse1
- Sigma Oasis1
- Stash1
- Covers8
- No studio album4
Shows since each song's previous appearance. A big number is a bustout.
- 3-53
- 6-156
- 16-504
- 51+ · bustout2
Whose songbook tonight drew from.
- Phish original9
- Trey Anastasio2
- Clifton Chenier1
- Fleet Foxes1
- Led Zeppelin1
- Neil Young1
- Prince1
- Ween1
A deep-cut night - 2 songs shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
A wonderful Set One-ending surprise, this fabulous multi-part "Tube" features a groove not unlike "The Very Long Fuse", syrupy effects-laden rocking out, clavinet-driven gnarled funkiness, and warm, lovely major-key jamming, before neatly returning to the "Tube" theme.
A terrific "Type II" venture with multiple parts woven smoothly together. Inspiring major-key play gets its due early on and is contrasted nicely by a mysterious theme which takes hold in the latter part of the jam. Ends with a -> to "Mr. Completely" initiated by Fish.
After busting a 524 show gap, the band breaks from "1999" proper and drops into a synth-heavy and funky jam, the four seemingly pushing for maximum freak-out effect. Each musician's contributions deserve attention, their collaborative effort adding much by way of subdivision value. Trey's soloing adds gain and grit, before a marked shift into major mode play produces a spirited release. Cools. Super -> into "Steam".
The jam between verses begins with some guttural Trey soloing and briefly hits upon a riff close to "CYHMK". Mike then drives the band into a segment befitting the supernatural tone of the song with some propulsive bass, while Page and Trey add to the haunting atmosphere with effects and delays. Continuing after the final lyrics, a short outro serves as an effective bridge to the thematically similar "No Quarter".
Woah. Sweet show-closer finds the band biding their time, and taking it slow. Straightaway, the jam assumes a smooth, bluesy feel, tinged with some stomping "Martian Monster" texture. Trey augments his tone to shape a cool solo, Fish and Page drop out, and great guitar is met in equal measure by Mike, whose liquid tone gels as the two share a solo. Casually, the version builds to regain its customary intensity, and Trey leads the band through "Zero's" impassioned conclusion.
Versions phish.net's jam charts single out as noteworthy.
This show was night five of Phish's Baker's Dozen run at Madison Square Garden and consisted of a powdered donut theme. Powdered sugar donuts were given to fans arriving at the venue and the show featured the Phish debuts of White Winter Hymnal and Powderfinger. Wilson and My Soul were teased before Cars Trucks Buses. Pebbles and Marbles was played for the first time since August 3, 2014 (106 shows). 1999 was played for the first time since December 31, 1998 (524 shows), its jam exceeded ten minutes, and Fishman teased Mr. Completely in it.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.