Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'895
- '90-'942
- '95-'005
- '09-'143
- '15-'192
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar1
- Big Boat1
- Billy Breathes1
- Farmhouse1
- Fuego1
- Hoist1
- Lawn Boy1
- Round Room1
- Sigma Oasis1
- The Story of the Ghost1
- The White Tape1
- Covers5
- No studio album2
Shows since each song's previous appearance. A big number is a bustout.
- 1-21
- 3-59
- 6-156
- 16-502
Whose songbook tonight drew from.
- Phish original13
- Los Lobos1
- Son Seals1
- Talking Heads1
- Trey Anastasio1
- TV on the Radio1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Mike and Fish set a great chunky and snappy groove in the first part of the jam which Page and Trey ride to great effect, and quite patiently. Then they flip the switch and the jam concludes with the expected power peak.
For the first time in over 15 years, the band breaks into a bona fide 2nd jam. While the 1st is typical 3.0 stuff, and the transition unusual, all is forgiven as the 2nd jam begins in classic "Mike's" rocking and rhythmic playing before settling. After 10:30 the jam develops a dark and introspective bent, and Trey's time "in the woodshed" before the FTW concerts is noticeable in his soloing.
Following a nice tempo slow down early on, the jam departs the standard and coalesces on an "Electric Funeral"-like theme (Black Sabbath). "C&P" vocal quotes are added as the jam picks up tempo and returns to familiar "Weekapaug" ground.
Versions phish.net's jam charts single out as noteworthy.
Jam, Mercury
During Lawn Boy, Page walked all the way over and said hello to "Mike Side." Light's lyrics were changed to mention Tom Marshall, who was in attendance at the show. Weekapaug included Crosseyed quotes. During the Weekapaug jam, Trey and Mike stood face to face before turning to the front of the stage and stepping in unison with the music.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.