Phish - August 2nd, 2013
Bill Graham Civic Auditorium · San Francisco · CA
1 Unfinished.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'896
- '90-'942
- '95-'009
- '09-'143
The studio home of each song, from phish.net. Covers count as one slice.
- Billy Breathes3
- Lawn Boy3
- Round Room2
- The Story of the Ghost2
- Farmhouse1
- Fuego1
- Hoist1
- Joy1
- Junta1
- The White Tape1
- Covers3
- No studio album3
Shows since each song's previous appearance. A big number is a bustout.
- 1-21
- 3-56
- 6-157
- 16-508
Whose songbook tonight drew from.
- Phish original19
- Los Lobos1
- Mike Gordon1
- Trey Anastasio1
Rarer than most - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Another great "Roggae" from SF, with strong melodic and instrumental variation. Just wish they would play this more often.
Quality exploratory version that succinctly covers a range of interesting territory before > to a compact, solid "Caspian."
This compact, quality version proves again that good melodic variation in a shorter version can trump the late '90s style 11 - 12 minute arena rockers. And when Trey holds a single note for 68 seconds, it allows the others to shine.
Arguably the finest straightforward version to date, this wonderful version is replete with all sorts of good stuff, including fantastic playing by Mike, great Page and Trey counterpoint, and a lush groove with a peaceful and upbeat sense.
A few flubs in the intro don't detract from this very energetic version from the first post-7/31/13 show, which incorporates three different calls for "woos" around some plinko-esque jamming and a good old-fashioned raveup at the end. Winds back into the regular -7 ending, then > into Theme.
By mixing up the melody of the jam more than in the past, the band is creating more interesting versions in less time. Nice!
A very strong "Type I" jam in "STFTFP," followed by an unusual, mildly disconcerting outro jam, which itself pairs oddly with low-key "Woo" responses from the audience.
Versions phish.net's jam charts single out as noteworthy.
Harry Hood included a Dixie tease by Trey. DWD was unfinished.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.