Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'893
- '90-'946
- '95-'003
- '03-'042
The studio home of each song, from phish.net. Covers count as one slice.
- Round Room3
- A Picture of Nectar2
- Junta2
- Billy Breathes1
- Hoist1
- Lawn Boy1
- The Story of the Ghost1
- Undermind1
- Covers2
- No studio album2
Shows since each song's previous appearance. A big number is a bustout.
- 1-25
- 3-54
- 6-157
Whose songbook tonight drew from.
- Phish original14
- Amfibian1
- The Rolling Stones1
A greatest-hits night - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Breaks free and clear of "CDT" into a serene, very melodic, Trey and Page led foray. Starts to build in energy and pulse, then abruptly veers back to "CDT" at about 18:00. Must-hear, especially for any 2.0 doubters.
A thrilling, intense, Must-Hear version, right on the heels of one of the best versions of "Chalk Dust Torture" ever. No comparison with previous eras, this is uniquely 2.0-style jamming. -> to "Runaway Jim."
Aggressive, in-your-face "Type I" version.
A nice shift to major mode early on, then Trey, Page and Fish depart to extreme dissonance land. Not the prettiest, but it ain't straightforward.
Versions phish.net's jam charts single out as noteworthy.
Trey teased Waves before Bathtub Gin. After several glowsticks hit Trey’s rig at the end of Seven Below, Trey’s guitar tech, Brian Brown, had to come onstage to do some damage control, prompting Trey to say some words of thanks. Seven Below contained a Mary Had a Little Lamb tease from Trey. Contact culminated in a Little Drummer Boy jam.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.