1 Bass solo instead of Page's usual organ solo.
2 Lyrical change to reference "IT."
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'892
- '90-'949
- '95-'005
- '03-'041
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar3
- Billy Breathes2
- Rift2
- Round Room2
- The Story of the Ghost2
- Farmhouse1
- Hoist1
- The White Tape1
- Covers2
- No studio album2
Shows since each song's previous appearance. A big number is a bustout.
- 1-21
- 3-58
- 6-155
- 16-504
Whose songbook tonight drew from.
- Phish original16
- Jimmie Dale Gilmore1
- Trey Anastasio1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
> from "Wilson". This version features a cool, almost quiet section in the middle. There is great interplay between Trey and Page, each showing off as they go back-and-forth.
Swirling and extended jam, somewhat spacey, typical of the more improvisational versions from the early to mid 1990s.
Trey has a long solo where the others ratchet-down the volume to near zero. Then, Fish kicks into gear, bringing the pulse and power back on. Full throttle finish.
Another big and quality work of improvisation from a year of strong "Pipers." Incredible really. This version has multiple movements that weave together quite well, as well as a "Can't You Hear Me Knocking" tease.
Versions phish.net's jam charts single out as noteworthy.
Piper included a Can’t You Hear Me Knocking tease. NICU included a bass solo from Mike (complete with Trey yelling, “Play it, Cactus!”) instead of Page’s usual organ solo. YEM included a lyrical change to reference “IT” and concluded with a Happy Birthday tease for Chris Kuroda.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.