Phish - January 3rd, 2003
Hampton Coliseum · Hampton · VA
1 Phish debut.
2 Restarted. One portion of the vocal jam was based on the name "George Takei."
3 Keywords referenced "fatty," "Waffle House," and "Hooters."
4 Debut.
5 Instrument switching.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'895
- '90-'944
- '95-'004
- '03-'042
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar2
- Billy Breathes2
- Junta2
- Farmhouse1
- Hoist1
- Round Room1
- The Story of the Ghost1
- The White Tape1
- Covers1
- No studio album3
Shows since each song's previous appearance. A big number is a bustout.
- 1-24
- 3-53
- 6-152
- 16-504
Whose songbook tonight drew from.
- Phish original14
- Trey Anastasio1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
This debut version set a high standard for the jamming potential of the song and exemplifies the uplifting and rocking playing heard in all subsequent performances.
Super solid version with a gradual transition out the funk phase that develops into a kick-ass celebratory blow out.
This version has a cool little jam, that is laid back and spacey. Trey provides some engaging noodling after the five minute mark.
In the encore slot, this excellent "Contact" features an extended, rocking and funky jam.
Versions phish.net's jam charts single out as noteworthy.
This show featured the debut of All of These Dreams and the Phish debut of Pebbles and Marbles. Trey restarted YEM after a sloppy attempt at the composed beginning section. Trey teased San-Ho-Zay in YEM. One portion of the YEM vocal jam was based on the name “George Takei” (the actor who played Mr. Sulu on Star Trek) and another was based on the melody to Tweezer Reprise. Trey teased Can't You Hear Me Knocking in Birds of a Feather. Lyrics in Makisupa referenced “fatty,” “Waffle House,” and “Hooters.” The end of Possum included bizarre on-stage antics with Page playing Trey’s guitar from his seat, Trey playing Mike’s bass, and Mike using the “B” and “Ah” cymbals normally reserved for Cracklin’ Rosie. This improvisational Contact continued the joke of mock introductions, as Trey introduced “Al Gore.”
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.