Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'897
- '90-'941
- '95-'0011
The studio home of each song, from phish.net. Covers count as one slice.
- Lawn Boy2
- The Story of the Ghost2
- A Picture of Nectar1
- Billy Breathes1
- Hoist1
- Junta1
- The White Tape1
- Covers6
- No studio album4
Shows since each song's previous appearance. A big number is a bustout.
- 3-57
- 6-159
- 16-503
Whose songbook tonight drew from.
- Phish original13
- Amfibian1
- Billy Preston1
- Jimi Hendrix Experience1
- New York!1
- The Who1
- Trey Anastasio1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Huge, powerhouse version, featuring incendiary, Jimi-esque Trey, and pounding Page. More wall of sound than musical, the jam drones until, set off by some scattershot riffs, play cools to assume a remarkably chill, wavy groove, full-band improvisation suspended in sound somewhere between 99 and what would arrive circa 2000.
If not quite a carrion, than perhaps a clarion call to the desert's mystic surroundings. Trey breaks from the vocals to launch an all-out assault, his signature 1999 tone on full display. After setting a loop, Trey's beautiful, patterned soloing, artfully phrased, is matched by Page, with Mike soon leading the band through deep and cerebral play. Fish's perfect off-beat and stylized play soon smooths, with Trey's cool, slashing chording informing the -> "LxL". Awesome.
A killer Antelope that starts off with swirling, whirling loops and a relaxed energy typical of Fall '99, builds up tension by Trey playing some stabbing chords, then builds to a ferocious peak. Proof positive that Antelope still had its fastball even after the mid-90s.
Versions phish.net's jam charts single out as noteworthy.
Reba was played in an encore for the first time since March 31, 1991 (780 shows) and did not have the whistling ending.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.