Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'895
- '90-'945
- '95-'0010
The studio home of each song, from phish.net. Covers count as one slice.
- The Story of the Ghost4
- Farmhouse2
- Hoist2
- Junta2
- Lawn Boy2
- Billy Breathes1
- The White Tape1
- Covers5
- No studio album1
Shows since each song's previous appearance. A big number is a bustout.
- 1-26
- 3-54
- 6-158
- 16-502
Whose songbook tonight drew from.
- Phish original15
- Clifton Chenier1
- Elvis Presley1
- Jimmy Smith1
- Neil Young1
- Traditional1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
At 7:40, the jam leaves standard "Wolfman's" and moves into some great free-form improvisation that migrates from funky rhythmic playing to really beautiful, melodic and exultant music. The jam mellows gradually and -> to "Lizards."
Beginning with classic '98 ambience, there is ample delicate space early on. Yet Fish drives this jam to soaring, powerful heights, with Mike, Page and trilling Trey each masterfully responding to the rhythmic foundation. The final, well-coordinated push to the summit is epic.
An all around strong performance is particularly notable for a cool and different Fender-Rhodes solo by Page in Clod, solid Mike throughout, and a riveting and wild Arrival. Machine Gun Trey leads the charge, but in the style of 1998 rather 1990. Check this one out if you want to hear Phish blow the lid off an arena with a blistering closing.
Versions phish.net's jam charts single out as noteworthy.
Carolina was restarted after Page’s miscue and ended with a choreographed stage routine. Moma contained a Shafty tease from Mike. Sleep and Dog Faced Boy featured Trey on acoustic guitar.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.