Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'894
- '90-'943
- '95-'0013
The studio home of each song, from phish.net. Covers count as one slice.
- The Story of the Ghost9
- Billy Breathes2
- Lawn Boy2
- A Picture of Nectar1
- Hoist1
- Junta1
- Stash1
- Covers2
- No studio album1
Shows since each song's previous appearance. A big number is a bustout.
- 1-211
- 3-56
- 6-152
- 16-501
Whose songbook tonight drew from.
- Phish original18
- Clifton Chenier1
- New York!1
A greatest-hits night - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Almost 30 years to the day (10/17/68) after the debut of the Steve McQueen film Bullitt, Phish provides a new score for the car chase scene. [Show opening bubbly and bouncing groove goes uptown and Trey and Page rock the house, then serene play nicely cools things off before a -> to "Water In The Sky."]
Great funk section with some "Manteca"-like jamming early on. Never really opens up out of funk mode although it settles as if ending, then rebuilds with no return to "Wolfman's."
An unusual "Gumbo" as the jam stays relatively close to the "Gumbo" theme other than an umptempo, melodic groove that they lock onto in the beginning.
The jam proceeds typically, with strong soloing from Trey and great Page. Around the 14:00 mark Trey calls an audible, and a dark, bizarre, and somewhat ominous jam develops. This descends into an atonal morass, before concluding with Trey > into "Character Zero."
> in from "Velvet Sea." Intense, high octane version that has some swirling, high octave playing by Trey that would become common in versions from '99 and '00. > to "Frankie Says."
Fiery and intense version features some excellent work by Page.
The jam has a very gentle, ambient quality, and the build and peak sections veer away from the norm, at moments almost sounding like something other than "Hood."
Versions phish.net's jam charts single out as noteworthy.
Funky Bitch
This “under the radar” show was never formally announced by Phish. San Francisco radio station KFOG leaked word of an upcoming “surprise announcement” two weeks before the show, telling Phish fans to tune in on Saturday morning for details. The 11:00 a.m. announcement was that tickets would be sold at noon the vacant Pier 32, prompting a mad rush of fans to the waterfront. Of the several thousand who arrived, roughly four hundred lucky people were able to buy vouchers entitling them to a pair of tickets. Prior to Brian and Robert, Trey said that Fish used to hate the yellow light and that Fish used to have a list of things that he hated, adding that every time they found out something Fish hated, they'd always do it (prompting Page to tease HYHU, which Fish also hates). Fish added that he hated the vowel "ooo" (the crowd responded with "ooo" noises). Trey said the only way to overcome something you hate was to face it head on. Trey then had Chris Kuroda shine a yellow light on Fish for Brian and Robert. Reba did not have the whistling ending. Hood contained a tease of Aaron Copland’s Fanfare for the Common Man. After the show, some fans were given a poster (later for sale from Phish Dry Goods) and a bumper sticker (saying: “We’ve just come from Phish at the Fillmore. It was nice.”).
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.