1 No whistling.
2 Contained Axilla II ending.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'894
- '90-'948
- '95-'003
The studio home of each song, from phish.net. Covers count as one slice.
- Hoist2
- Lawn Boy2
- The White Tape2
- A Picture of Nectar1
- Farmhouse1
- Junta1
- Rift1
- The Story of the Ghost1
- Covers1
- No studio album3
Shows since each song's previous appearance. A big number is a bustout.
- 1-22
- 3-57
- 6-153
- 16-503
Whose songbook tonight drew from.
- Phish original14
- Los Lobos1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Trey employs a silky, milky-whammy sort of effect, generating a really groovy, laid-back jam. Extremely fluid, extended, and atypical jamming features strong, rhythmic play from all, the version coasting, moving pleasantly upon its own kinetic energy, not quite building but rather dissolving to create a fantastic > into "FEFY."
Another version where the jam is made more interesting by starting with a nice swinging groove, and only very gradually building the intensity.
Good, funky playing before the lyrics. The main jam segment has a very nice peak and scat singing throughout.
Slow grooving at the Gorge combining funk and ambience. > to "Slave". Released on Live Bait Volume 9.
Versions phish.net's jam charts single out as noteworthy.
Jam -> Dog Log
Trey teased Lazy in Julius. Reba did not have the whistling ending. Axilla featured the Axilla II ending. Trey teased Oye Como Va in the soundcheck's jam. This show was released as part of The Gorge '98 box set.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.