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All shows

Phish - April 3rd, 1998

Nassau Veterans Memorial Coliseum · Uniondale · NY

FridayNight 2 at this venue1998 Island Tour1998-04-03
Songs played
16
3 sets · longest: Set 1 (9)
Average gap
4.6
rarer than 22% of all shows, 9% of 1998
Biggest bustout
-
no 50+ gap songs
Debuts
0
5 covers played
Rotation19% fresh vs previous 5 shows0 repeats from 1998-04-02
Mike's Groove2/3Related to Gamehendge1/11

1 "Carini's gonna getcha" sung several times in intro. "Carini" spoken later in the song.

(Surrender to the) Flow of the night
2:36:37 of music

Song length in play order. Tap a point for that song. Swipe the chart to see the rest.

27:2613:43SET 1SET 2ENCOREMike's Song - 13:28 (Set 1)The Old Home Place - 4:07 (Set 1)Weekapaug Groove - 16:28 (Set 1)Train Song - 2:59 (Set 1)Billy Breathes - 7:41 (Set 1)Beauty of My Dreams - 2:40 (Set 1)Dogs Stole Things - 5:00 (Set 1)Reba - 16:42 (Set 1)My Soul - 8:27 (Set 1)Roses Are Free - 27:26 (Set 2)Piper - 16:12 (Set 2)Loving Cup - 6:54 (Set 2)Run Like an Antelope - 14:30 (Set 2)Carini - 4:35 (Encore)Halley's Comet - 6:16 (Encore)Tweezer Reprise - 3:14 (Encore)
Longest: Roses Are Free 27:26 · 16 songs with recorded lengths
When it debuted

Tonight's unique songs by the era Phish first played them.

  • '83-'895
  • '90-'943
  • '95-'008
Album representation

The studio home of each song, from phish.net. Covers count as one slice.

  • Billy Breathes2
  • A Picture of Nectar1
  • Farmhouse1
  • Lawn Boy1
  • The White Tape1
  • Covers5
  • No studio album5
Gap since last played

Shows since each song's previous appearance. A big number is a bustout.

  • 1-28
  • 3-55
  • 6-152
  • 16-501
Originals vs covers

Whose songbook tonight drew from.

  • Phish original11
  • Clifton Chenier1
  • The Del McCoury Band1
  • The Dillards1
  • The Rolling Stones1
  • Ween1
Rarity board

A greatest-hits night - nothing shelved more than 50 shows.

Gap = shows since the song was last played, at the moment it was played.

Jam chart entries
Mike's Song

Show opening "Mike's" has a funky, well played 1st jam with little touches of ambient sound. The 2nd jam kicks off with a dark and powerful tone that gradually mellows into quiet musing which warms in sentiment and -> "The Old Home Place."

Weekapaug Groove

Arguably the funkiest "Weekapaug" ever, this one is essentially "Weekapaug -> Funk Jam -> Weekapaug." Teases of the song that would become "Mozambique," "C&P" (sung, not played!), "Nellie Kane," and "Brazil" are just gravy in this extraordinarily improvisational version of the Phish classic.

Roses Are Free

An incredible jam emerges out of "Roses" proper, opening Set II in a historic and highly regarded show. The improvisational jam combines dark sentiments, ambient sounds, major mode playing, and groove-based action. Must-hear version which > to a strong "Piper."

Piper

After a gorgeous building intro, this version is somewhat unique in that the jam follows the ending coda that was common in early versions of "Piper." The jam itself is restrained and contemplative, based somewhat on the ending coda.

Loving Cup

> in from "Piper." Sort of the icing in the cake which brings the incredible "Roses Are Free" > "Piper" jam to an upbeat and celebratory close, before launching into the comic "naked guy" madness which happens in the ensuing "Antelope."

Run Like an Antelope

Fish says, "If you're gonna run up on the stage, just don't let Carini get you" in the intro. This prompts hilarious "Carini's gonna get you" harmonizing throughout the song. Intense straightforward version with Funky Mike in the "Rocco" section.

Versions phish.net's jam charts single out as noteworthy.

Setlist notes

Weekapaug included a Crosseyed and Painless tease and a quick tease of Nellie Kane from Trey. A fan ran up on the stage during Loving Cup, prompting banter and subsequent singing of "Carini's gonna getcha" several times in the Antelope intro, as well as a Carini mention later in the song. This show is available as an archival release on LivePhish.com.

Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.

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