1 James Brown antics from Fish.
2 John McEuen on banjo.
3 Lyrics included reference to Steve McConnell.
4 Peter Apfelbaum on tenor saxophone.
5 Peter Apfelbaum on tenor saxophone, slowed down intro
6 Peter Apfelbaum on tenor saxophone and John McEuen on lap slide guitar.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'897
- '90-'9412
- '95-'002
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar3
- Billy Breathes2
- Junta2
- Rift2
- Lawn Boy1
- Covers7
- No studio album4
Shows since each song's previous appearance. A big number is a bustout.
- 1-25
- 3-58
- 6-155
- 16-503
Whose songbook tonight drew from.
- Phish original14
- Bill Monroe1
- Josh White and Sam Gary1
- Son Seals1
- Strauss, as interpreted by Deodato1
- The Dillards1
- Traditional1
- ZZ Top1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
A few, very minor glitches in The Chase and elsewhere, but otherwise the playing is intense and tight. How about a little Moog action in Clod? Page's piano solo later in Clod benefits from great backing from Trey, Mike and Fish. Arrival is powerful, driven by Mike and Fish, and by Trey's confident, rocking soloing, including some sick trilling near the peak.
After a cacophony of noisy effects, nice crescendo building by Trey and Page.
James Brown galore. Fish pretends to be James, tons of "Super Bad" riffs from Trey. Second jam is straight funk filth. You will laugh and dance.
Excellent discordant version greatly enhanced by Peter Apfelbaum's incendiary sax and some wicked counterpointing accompaniment from Trey.
Remarkable version which includes a unique slowed down intro and Peter Apfelbaum on tenor saxophone who takes over the soloing duties from Trey.
With Peter Apfelbaum on tenor sax.
A soulful set-closing instrumental played straight with Peter Apfelbaum on tenor saxophone and John McEuen on lap slide guitar.
Peter Apfelbaum on tenor saxophone and John McEuen on lap slide guitar. Sweet jam with back and forth between Trey and McEuen, then Apfelbaum takes the lead followed by Page on the organ and piano, and then they all rock out together.
Versions phish.net's jam charts single out as noteworthy.
Dog Log > Melissa, The New Teller (incomplete), Trey percussion jam, The Old Home Place, work on Uncle Pen, Uncle Pen, Taste
The Old Home Place and Uncle Pen featured John McEuen on banjo. Timber through Funky Bitch featured Peter Apfelbaum on tenor saxophone. Taste included an intro jam that was basically a slowed-down version of the song. The Amazing Grace Jam and Possum featured Apfelbaum on tenor saxophone and McEuen on lap slide guitar. Punch You in the Eye, Chalk Dust Torture, and 2001 featured Get Up Offa That Thing quotes and James Brown antics from Fish. 2001 also contained Super Bad teases from Trey. The lyrics to Brother included a reference to Steve McConnell. This show is available as an archival release on LivePhish.com.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.