Phish - December 7th, 1995
Niagara Falls Convention Center · Niagara Falls · NY
1 No whistling.
2 Unfinished.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'898
- '90-'9411
- '95-'003
The studio home of each song, from phish.net. Covers count as one slice.
- Lawn Boy3
- Hoist2
- Rift2
- The White Tape2
- The Story of the Ghost1
- Covers4
- No studio album8
Shows since each song's previous appearance. A big number is a bustout.
- 1-27
- 3-57
- 6-154
- 16-503
- 51+ · bustout1
Whose songbook tonight drew from.
- Phish original18
- Bill Monroe1
- Howard and Emerson1
- The Dillards1
- Traditional1
A typical night, rotation-wise - 1 song shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
Unusual mid first set placement. Trey hits on a great riff that he molds as the jam develops. The band really stretches this one out, with unbelievable intensity even before mounting the final peak. One for the ages.
Multiple peaks that grow increasingly intense. Fish and Page are especially dynamic, with Page briefly on the B-3.
Sick wrecking ball version that will pound your head. Start with some "In-A-Gadda-Da-Vida" jamming to warm up. On to improvisational twists and turns, a tense, hammering peak, and a somewhat bizarre ending. Very demented.
If 9/30 and 11/29 are fast, the Niagara "Reba" is faster. While the composed section suffers, the jam is crazy, relentless, rife with rich fills, crazy intensity, and the whacked sentiment of the set-opening "SOAM." This late second-set version sees Trey creating huge sustain which bleeds into a spacey, unusual outro. Really cool.
Only known version with a Page-only solo.
Compared to the preceding version, this one begins in a less frenzied state, but builds up pretty good head of steam, including "Crossroads"-like jamming. The 2nd jam begins with Trey mini kit action, until 11:40, when Trey returns to his main instrument, transforming the rhythmic oriented jam into hose-filled, "Weekapaug"-like, major mode celebration. -> to a great "Weekapaug"/"DDL Jam."
"Mike's -> Weekapaug -> Digital Delay Loop Jam." Incredible sequence of music with an inspired but straightforward "Weekapaug" in between stellar works of improvisational play.
-> in from "Weekapaug." After a spirited and uplifting "Mike's Groove," the "DDL" Jam provides a chilly, eerie ending to this epic multi-part jam.
Versions phish.net's jam charts single out as noteworthy.
Poor Heart (slow version), Funky Bitch, Run Like an Antelope Jam (x3)
The Melt jam included a tease of In-A-Gadda-Da-Vida. Reba included a Pop Goes the Weasel tease and did not contain the whistling ending. Weekapaug was unfinished. Mike and Fish teased Maze in the Digital Delay Loop Jam. This show was officially released as Niagara Falls.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.