1 Simpsons, Oom Pa Pa, and All Fall Down signals in intro.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'898
- '90-'948
- '95-'004
The studio home of each song, from phish.net. Covers count as one slice.
- Junta3
- A Picture of Nectar2
- Rift2
- Hoist1
- Lawn Boy1
- Covers4
- No studio album7
Shows since each song's previous appearance. A big number is a bustout.
- 1-25
- 3-58
- 6-157
Whose songbook tonight drew from.
- Phish original16
- Argent1
- David Bowie1
- Elvis Presley1
- Strauss, as interpreted by Deodato1
A greatest-hits night - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
The recording, while imperfect, does well to capture Trey's signature (95) tone, and Page's strong play. The band creates an excellent passage of sustained "calm", which they deftly rebuild before Trey trills the version to a strong peak.
Evoking all the great sounds of 1995, from Trey's Leslie-infused watery guitar effects, to Fish's booming drums, this excellent version captures the timeless nature of "Fluffhead" at this important point in the band's history. No surprise that The Chase and Who Do? We Do! provide a few minor road bumps, but generally the playing is intense and focused. Clod features some great piano soloing, while all four coalesce to hammer home a powerful Arrival.
Fascinating, extraordinarily intense version with some bizarre gibberish vocalized by Trey for a number of measures.
Very different jam, rocking at first but with descending and unusual harmony from Page, then becoming very spacey and > to "McGrupp."
Versions phish.net's jam charts single out as noteworthy.
Trey teased Jump Monk in Simple. The Possum intro contained Simpsons, Oom Pa Pa, and All Fall Down signals and Beat It teases.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.