1 Phish debut.
2 Random Note and Simpsons signals.
3 Acoustic and without microphones.
4 Split Open and Melt Sandwich: Split Open and Melt bookended Kung in Set 1 - the first one on record. No Split Open and Melt sandwich has ever held more.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'897
- '90-'9412
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar3
- Rift3
- Hoist2
- Junta2
- Lawn Boy1
- The Story of the Ghost1
- Covers3
- No studio album4
Shows since each song's previous appearance. A big number is a bustout.
- 1-27
- 3-56
- 6-152
- 16-502
- 51+ · bustout1
Whose songbook tonight drew from.
- Phish original16
- Boston1
- Hot Rize1
- Stevie Wonder1
A typical night, rotation-wise - 1 song shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
"SOAM" -> "Kung" -> "SOAM." The jam itself is decent, dissonant, and moderately exploratory.
-> in from "SOAM," -> back to "SOAM."
-> in from "Kung" to complete this "SOAM" sandwich.
-> in from "Lengthwise." Page shines for an extended section starting at 3:15 through 5:00, where the jam goes from near silence to a more predictable jam. Fish's driving play keeps things at a breakneck speed. The jam ends with soaring licks from Trey.
The first seriously "Type II" "Hood" includes some very experimental jamming. Parts of this exploration are mildly dissonant and very un-"Hood"-like, while other sections are quite spectacular. The "Type I" ending is first rate.
Versions phish.net's jam charts single out as noteworthy.
This show marked the Phish debut of Golden Lady. Esther included Random Note and Simpsons signals. Page teased Esther in McGrupp. Nellie Kane and Foreplay/Long Time were performed acoustic and without microphones.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.