1 Without microphones.
2 Acoustic; without microphones.
3 Acoustic; without microphones. Sing-along with audience during second verse.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'8911
- '90-'9412
The studio home of each song, from phish.net. Covers count as one slice.
- Hoist4
- Junta2
- Lawn Boy2
- Rift2
- The White Tape2
- A Picture of Nectar1
- Covers8
- No studio album2
Shows since each song's previous appearance. A big number is a bustout.
- 1-26
- 3-55
- 6-159
- 16-501
- 51+ · bustout2
Whose songbook tonight drew from.
- Phish original15
- Argent1
- Artie Shaw1
- Bill Monroe1
- Led Zeppelin1
- Norman Blake1
- Pink Floyd1
- Talking Heads1
- Traditional1
A deep-cut night - 2 songs shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
Especially after 8:00, this one falls into the "extreme" category, with dissonance and chaos run amuck.
Early "Dance of the Sugar Plum Fairy" teasing is enhanced by great Trey, whose unique soloing features dynamic modulation before the band comes togehter for a strong conclusion and a great > into "DwD."
Great, multi-section, power rocking jam which really doesn't sound anything like "Gin." Briefly returns to "Gin" before > to "Lifeboy." Soundboard version released on FTA Superball IX, Pt. 2.
Weird jam. "Dance of the Sugar Plum Fairy" tease from Trey in the VJ.
Versions phish.net's jam charts single out as noteworthy.
Cities, Manteca, Cities > Manteca
This show included the first Letter to Jimmy Page since July 18, 1991 (358 shows) and the first version played separate from Alumni Blues since May 11, 1987 (811 shows). Esther and YEM contained Dance of the Sugar Plum Fairy teases from Trey. Trey quoted the theme from Shaft at the start of the second set. Cities was played for the first time since March 1, 1989 (679 shows). Sweet Adeline and Ginseng Sullivan through Amazing Grace were performed without microphones. Ginseng Sullivan and My Sweet One were performed acoustic. The latter evolved into a sing-along with the audience during the second verse.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.