1 Simpsons signal.
2 Trey sang verses through megaphone.
3 No whistling.
4 Without microphones.
5 Acoustic; without microphones.
6 Older, alternate lyrics. Acoustic; without microphones.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'8912
- '90-'9413
The studio home of each song, from phish.net. Covers count as one slice.
- Hoist4
- A Picture of Nectar3
- Rift3
- Junta2
- The White Tape2
- Lawn Boy1
- Covers4
- No studio album6
Shows since each song's previous appearance. A big number is a bustout.
- 1-27
- 3-510
- 6-155
- 16-503
Whose songbook tonight drew from.
- Phish original21
- Artie Shaw1
- Josh White1
- Osborne Brothers1
- Traditional1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Great theme out of the composed section, notable for really quiet and wholly unique playing. The band continues to explore and push boundaries, with the jam becoming "primal" and totally out of the ordinary. Very cool.
Very improvisational and multi-faceted version with several distinct "Type II" sections, including an uplifting "DwD" jam near the end. Released as filler for Live Phish Vol. 10. A heavyweight among "Antelopes."
Versions phish.net's jam charts single out as noteworthy.
Funky Bitch (this soundcheck is incomplete)
Wilson included a Simpsons signal. Trey teased Mike's Song in It's Ice. Trey sang the verses of Fee through a megaphone. Reba contained a quote of (They Long to Be) Close to You from Trey and did not have the whistling ending. Sweet Adeline and Carolina were performed without microphones. Dog Faced Boy through Cavern, which contained the older, alternate lyrics, were performed acoustic without microphones. This hot Antelope included a Disease-style jam segment.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.