1 Fish on acoustic guitar.
2 Acoustic and without amplification.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'8910
- '90-'948
The studio home of each song, from phish.net. Covers count as one slice.
- Hoist4
- Lawn Boy3
- A Picture of Nectar2
- Junta1
- Rift1
- The White Tape1
- Covers2
- No studio album4
Shows since each song's previous appearance. A big number is a bustout.
- 1-23
- 3-58
- 6-154
- 16-503
Whose songbook tonight drew from.
- Phish original16
- AC/DC1
- Lynyrd Skynyrd1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
The jam gets out there well beyond "Stash." The tension is cranked up repeatedly with great pounding by Fish.
Typically great '94 thrashing "Antelope" stuff until 6:25 when the jam breaks into a good settled section that percussively rebuilds with wild dissonance and buckets of tension.
Strong, Mike-driven version, featuring great percussion. Trey's playing is as fast as Page's fills are delicate, and the band works through several ideas and progressions to build a jam that, at points, sounds like "David Bowie."
Excellent version. Reggae sounding and effects laden jam around 2:20 that goes on for a few minutes. A jam resembling a "DDL" jam (which doesn't actually include any loops) emerges around 6:30 out of the vocal reprise, and eventually works its way back into a second vocal reprise.
Versions phish.net's jam charts single out as noteworthy.
Gumbo, Reggae Jam
Suzy contained a tease of How Many More Times. Mike teased Manteca in Reba. Faht featured Fish on acoustic guitar. My Sweet One was performed acoustic and without amplification.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.