1 Cosmic Country Horns.
2 Cosmic Country Horns; ended in jazz jam involving a megaphone on Trey's guitar and an electric screwdriver on Mike's bass.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'894
- '90-'9417
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar5
- Hoist5
- Rift3
- The White Tape2
- Junta1
- Lawn Boy1
- Covers1
- No studio album3
Shows since each song's previous appearance. A big number is a bustout.
- 1-211
- 3-53
- 6-156
- 16-501
Whose songbook tonight drew from.
- Phish original20
- Duke Ellington1
A greatest-hits night - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
A crazy-ass jam, typical for spring '94, and includes a "Right Off" tease (Miles Davis). > to "Sparkle."
This is a very sick and demented version, with someone (Fish?) screaming in the background at various points. Trey dedicates the jam to a good friend's baby, just then being born, and suggests naming him/her Marco Esquandolas.
With Cosmic Country Horns, but a weak jam (and no B&D or VJ).
Versions phish.net's jam charts single out as noteworthy.
It’s Ice included Scent of a Mule teases. YEM through Cavern featured the Cosmic Country Horns: Michael Ray and Carl “Geerz” Gerhard on trumpet, Dave “The Truth” Grippo on alto sax, Tony Tate on tenor sax, Jerome Theriot on baritone sax, and Rick Trolsen on trombone. Trey teased Rhythm-A-Ning in YEM. Wolfman's featured an Alumni Blues jam. Suzy ended with a jazz jam involving a megaphone on Trey’s guitar and an electric screwdriver on Mike’s bass. Trey dedicated Antelope to his friend, who was, at that moment, giving birth. He recommended that she name the child “Marco Esquandolas.” Cavern contained Rebirth of Slick (Cool Like Dat) teases.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.