1 Debut.
2 Giant Country Horns.
3 Debut; Giant Country Horns.
4 Giant Country Horns; more of a shuffle beat than usual.
5 Phish debut; Giant Country Horns.
6 Giant Country Horns; horn introductions.
7 Old lyrics. Carl Gerhard on trumpet.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'898
- '90-'9414
The studio home of each song, from phish.net. Covers count as one slice.
- Hoist6
- A Picture of Nectar3
- Lawn Boy3
- Rift3
- Junta1
- The White Tape1
- Covers1
- No studio album4
Shows since each song's previous appearance. A big number is a bustout.
- 1-210
- 3-53
- 6-153
- 51+ · bustout1
Whose songbook tonight drew from.
- Phish original21
- Louis Prima1
One of the rarest nights on record - 6 songs shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
Debut includes a Page solo followed by the familiar klezmer style riff as the whole band accelerates the riff until Mike starts howling, indicating a return to the lyrics.
Following a few flubs in the first "Reba" of 1994, Trey blasts on through the composed section and modulates intensity. After teaming up with Mike to tease "A-Hunting We Will Go," super soloing dominates the version - listen for Page syncing up to develop extended "Batman Theme Song" teasing - which becomes wonderfully syncopated, with plucky guitar offset by dynamic Fish. This builds into a "heavy metal" sort of frenzy, with the playing becoming exceedingly, and exceptionally crazy, before the jam spikes to a pointed peak.
"Hey Bulldog" teases during an extended jam. Page led at first, but it becomes a full band rocker.
Debut of the complete song.
Debut with the Giant Country Horns. Played at a slightly faster tempo than most subsequent versions. Establishes precedent for this song to be a pretty intense, raging one. SBD available on the "Spreadsheet."
Incredible, fantastic version. While the Giant Country Horns add an undeniable boost to this powerhouse version, it is Jon Fishman who fuels this colorful rendition, arguably more notable for its scuttling, shuffling beat than the addition of trumpet, sax, or trombone. The version you take to your desert island.
Debut with the Giant Country Horns. The song was played in a lower key throughout 1994 than all versions from 1995 to present. The jam includes a great horn-infused "Alumni Blues" jam.
Jam starts with a beautiful, flowing section with great Page and Mike. Then Trey and Fish kick things up several notches.
Versions phish.net's jam charts single out as noteworthy.
This show, a benefit for The Flynn Theatre, featured many debuts, including Scent of a Mule, If I Could, Wolfman’s Brother, Julius, and the full Down with Disease. I Wan'na Be Like You also made its Phish debut. The show kicked off with an a cappella line of Back In My Hometown. Reba contained A-Hunting We Will Go teases from Trey and Mike and It's Ice contained Hey Bulldog (Beatles) teases. Buried Alive through I Wan'na Be Like You and Suzy Greenberg featured The Giant Country Horns: Mike Gallick on baritone sax, Carl “Geerz” Gerhard on trumpet, Dave “The Truth” Grippo on alto sax, Don Glasgo on trombone, Chris Peterman on tenor sax, and Joey Sommerville on trumpet. Magilla was played slightly differently than most versions, with more of a shuffle beat. Wolfman's contained an Alumni Blues jam. Suzy contained Horn introductions and a HYHU tease from Page. Before and after Hood, Trey updated the crowd on the score of the Duke - Arkansas NCAA championship basketball game. Cavern, which contained the old, alternate lyrics, featured Gerhard on trumpet.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.