1 Oom Pa Pa signal.
2 Trey on acoustic guitar.
3 Without microphones.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'899
- '90-'9413
The studio home of each song, from phish.net. Covers count as one slice.
- Rift6
- A Picture of Nectar3
- Junta2
- The White Tape2
- Lawn Boy1
- Covers6
- No studio album2
Shows since each song's previous appearance. A big number is a bustout.
- 1-24
- 3-513
- 6-155
Whose songbook tonight drew from.
- Phish original16
- Argent1
- Jimi Hendrix Experience1
- Prince1
- Strauss, as interpreted by Deodato1
- Traditional1
- Van Alstyne and Kahn1
A greatest-hits night - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Within the context of "Divided Sky," this has a very improvisational, well-played jam with excellent Fish and Trey.
After some cool whispering/mumbling by Trey in the intro section, the jam starts off with a strong, Page B-3 solo, which turns into a little jam of its own, with solid support from the others. Page cranks it up into the usual high energy frenzy, leading to a smooth handoff to Trey. From there, we get a reminder of why he earned the nickname "Machine Gun" as an apt prefix to Trey. The play towards the end is locked in, with all four bandmates in sync as the froth begins to boil. Great early version.
Brushing past a wobble or two in The Chase, things really coalesce in Who Do? We Do! Being that it's August '93, you can expect flourishes of improvisation, even in a highly composed song like "Fluffhead." Clod has inventive playing by both Trey and Page. And this Arrival is not to be missed, as Trey and Fish together lead the band into some creatvie musical territory, a trilling, ripping peak, and great cool down, which then reverts to the formal "Fluffhead" ending.
Trey's solo tells a beautiful, soulful story start to finish, before peaking triumphantly. An incredible, transcendent version.
Incredible, extremely "Type II" improvisation which also flows together remarkably well musically. Powerful ending to this masterpiece.
Long jam segment.
Versions phish.net's jam charts single out as noteworthy.
Jam -> Shock The Monkey -> In Memory of Elizabeth Reed Jam
Mike dropped a few vocal references to Wilson in Llama. Divided Sky contained Call to the Post teases. Guelah Papyrus included an Oom Pa Pa signal. The Horse featured Trey on acoustic guitar and began with a Bowie tease. Trey teased the Speed Racer theme and Frankenstein in YEM. The vocal jam in YEM was based on Ob-La-Di, Ob-La-Da. Memories was performed without microphones. This show is available as an archival release on LivePhish.com.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.