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1992-12-071992-12-10

Phish - December 8th, 1992

Barrymore Theatre · Madison · WI

Tuesday1992 Fall Tour1992-12-08
Songs played
29
3 sets · longest: Set 2 (16)
Average gap
3.2
rarer than 10% of all shows, 33% of 1992
Biggest bustout
-
no 50+ gap songs
Debuts
0
5 covers played
Rotation10% fresh vs previous 5 shows6 repeats from 1992-12-07 - Llama, Sweet Adeline, It's Ice, Sparkle, Hold Your Head Up, My Sweet One
Setlist
🎧 Listen on phish.in2:59:10
Set 1
Rift6:18,Wilson19:02 > Llama5:17,Colonel Forbin's Ascent5:55 > Fly Famous Mockingbird6:40 > Uncle Pen4:20,Guelah Papyrus5:11,Divided Sky14:02,Mound6:44,Sweet Adeline21:52,Stash10:12
Set 2
Mike's Song ✦8:49 > I Am Hydrogen ✦3:59 > Weekapaug Groove ✦6:49,The Horse6:29 > Silent in the Morning > It's Ice7:52 > The Lizards10:36,Run Like an Antelope11:26,Lawn Boy2:26 > Sparkle3:56 > Suzy Greenberg5:43 > Hold Your Head Up1:20 > Lengthwise6:16,My Sweet One2:43 > Big Ball Jam3:26 > Sleeping Monkey5:46
Encore
Carolina22:15,Fire4:43
Mike's GrooveHIT ✦Gamehendge4/9Related to Gamehendge2/11

1 Simpsons, Aw Fuck!, and Random Note signals.

2 Without microphones.

(Surrender to the) Flow of the night
2:59:10 of music

Song length in play order. Tap a point for that song. Swipe the chart to see the rest.

14:027:01SET 1SET 2ENCORERift - 6:18 (Set 1)Wilson - 9:02 (Set 1)Llama - 5:17 (Set 1)Colonel Forbin's Ascent - 5:55 (Set 1)Fly Famous Mockingbird - 6:40 (Set 1)Uncle Pen - 4:20 (Set 1)Guelah Papyrus - 5:11 (Set 1)Divided Sky - 14:02 (Set 1)Mound - 6:44 (Set 1)Sweet Adeline - 1:52 (Set 1)Stash - 10:12 (Set 1)Mike's Song - 8:49 (Set 2)I Am Hydrogen - 3:59 (Set 2)Weekapaug Groove - 6:49 (Set 2)The Horse - 6:29 (Set 2)It's Ice - 7:52 (Set 2)The Lizards - 10:36 (Set 2)Run Like an Antelope - 11:26 (Set 2)Lawn Boy - 2:26 (Set 2)Sparkle - 3:56 (Set 2)Suzy Greenberg - 5:43 (Set 2)Hold Your Head Up - 1:20 (Set 2)Lengthwise - 6:16 (Set 2)My Sweet One - 2:43 (Set 2)Big Ball Jam - 3:26 (Set 2)Sleeping Monkey - 5:46 (Set 2)Carolina - 2:15 (Encore)Fire - 4:43 (Encore)
Longest: Divided Sky 14:02 · 28 songs with recorded lengths
When it debuted

Tonight's unique songs by the era Phish first played them.

  • '83-'8914
  • '90-'9415
Album representation

The studio home of each song, from phish.net. Covers count as one slice.

  • Rift7
  • A Picture of Nectar3
  • Lawn Boy2
  • The White Tape2
  • Covers5
  • No studio album10
Gap since last played

Shows since each song's previous appearance. A big number is a bustout.

  • 1-212
  • 3-514
  • 6-153
Originals vs covers

Whose songbook tonight drew from.

  • Phish original24
  • Argent1
  • Artie Shaw1
  • Bill Monroe1
  • Jimi Hendrix Experience1
  • Traditional1
Rarity board

A greatest-hits night - nothing shelved more than 50 shows.

Sleeping Monkeygap 12
Firegap 8
Wilsongap 6
The Horsegap 5
Silent in the Morninggap 5
Colonel Forbin's Ascentgap 4
Fly Famous Mockingbirdgap 4
Riftgap 3

Gap = shows since the song was last played, at the moment it was played.

Jam chart entries
Wilson

An extended intro with extra silence and space hints at the quiet, yet potent, improv ahead. The band stretches out what is usually a short vamp preceding "BLAT BOOM" into three minutes of avant-garde, atonal, knotty, bizarro Phish interlaced with secret language cues (the "Aww F**k" signal is especially potent).

Llama

> in from "Wilson." Danger: listening to this version could cause your brain to involuntarily explode.

Stash

Trey is like a demon possessed here. Doesn't matter that's it's inside the box, it's a great version.

Mike's Song

The jam has a bit of a darker sentiment, amplified by some "MLB"-like jamming towards the end of the first jam. The 2nd jam features repetitive, heavy metal type playing, which transitions nicely back to the typical closing sequence.

Versions phish.net's jam charts single out as noteworthy.

Setlist notes

Wilson contained Simpsons, Aw Fuck!, and Random Note signals. Sweet Adeline and Carolina were performed without microphones.

Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.

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