1 Trey sang verses through megaphone.
2 Without microphones.
3 Simpsons and Aw Fuck! signals.
4 Random Note signal.
5 Hold Your Head Up Sandwich: Hold Your Head Up bookended Cracklin' Rosie in Set 2 - the 74th on record, the first since December 2nd, 1992.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'8913
- '90-'9414
The studio home of each song, from phish.net. Covers count as one slice.
- Rift6
- Lawn Boy5
- A Picture of Nectar3
- Junta2
- The White Tape1
- Covers6
- No studio album4
Shows since each song's previous appearance. A big number is a bustout.
- 1-216
- 3-510
- 6-151
Whose songbook tonight drew from.
- Phish original21
- Argent1
- Artie Shaw1
- Bill Monroe1
- Duke Ellington1
- Jimi Hendrix Experience1
- Neil Diamond1
About as chalky as it gets - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Another creative and different '92 take on the "SOAM" jam. And being that's it's 1992, there is sick shredding taboot!
Some cool "Cities" teases in the intro (last performance 9/13/88). The jam starts with a brief jam on Santana's "Gypsy Queen," then breaks into several distinct sections of perhaps not beautiful, but VERY exploratory jamming. Returns to "Antelope" with several peaks and Trey shredding.
Although essentially straightforward, it has a cool quiet section, then atypical melodies from Trey which serve to crank up the tension as the jam builds to a frothy peak.
Versions phish.net's jam charts single out as noteworthy.
Trey sang the verses of Fee through a megaphone. Sweet Adeline was performed without microphones. Antelope included Simpsons and Aw Fuck! signals. During the break in Guelah, Trey explained the concept of the Big Ball Jam to the crowd. Guelah also included a Random Note signal. Trey teased Moving in Stereo in Mike's Song. ‘A’ Train included Dixie teases, to which the audience sang along.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.