1 Without microphones.
2 Hold Your Head Up Sandwich: Hold Your Head Up bookended Love You in the encore - the 41st on record, the first since October 3rd, 1991.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'8915
- '90-'9413
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar7
- Lawn Boy5
- Junta3
- Rift1
- The White Tape1
- Covers5
- No studio album6
Shows since each song's previous appearance. A big number is a bustout.
- 1-223
- 3-54
- 6-151
Whose songbook tonight drew from.
- Phish original23
- Argent1
- Artie Shaw1
- Osborne Brothers1
- Syd Barrett1
- Van Alstyne and Kahn1
About as chalky as it gets - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
Page opts for his organ to employ cool, spacey effects. A cosmic, studio sort of sound, which greatly enhances the jam. Trey modifies his tone, accordingly. Page reverts to a more traditional sound and solos ensue before the band makes a nice > into "David Bowie."
Almost immediately breaks from the standard. Strong and dissonant improvisation, with an unexpected section of quiet space before the storm rebuilds. Short but powerful.
Versions phish.net's jam charts single out as noteworthy.
Memories and Adeline were performed without microphones. During the pause in Guelah, Trey welcomed everyone to the Hemp Festival (“Free the weed!” Mike exclaimed). Magilla contained a Wedding March tease from Trey. After Runaway Jim, Trey introduced “a very famous person” in the audience, John Basili. “Stephen King was at a gig recently,” he noted, “but this is much more exciting.” Coil contained a Linus and Lucy tease.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.