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All shows

Phish - May 9th, 1991

Portland Performing Arts Center · Portland · ME

Thursday1991 Winter/Spring Tour1991-05-09
Songs played
20
3 sets · longest: Set 1 (10)
Average gap
2.6
rarer than 6% of all shows, 28% of 1991
Biggest bustout
-
no 50+ gap songs
Debuts
0
3 covers played
Rotation10% fresh vs previous 5 shows8 repeats from 1991-05-04 - Guelah Papyrus, Reba, Llama, Runaway Jim, My Sweet One, Fluffhead, Split Open and Melt, Rocky Top
Related to Gamehendge4/11

1 Without microphones.

(Surrender to the) Flow of the night
2:17:25 of music

Song length in play order. Tap a point for that song. Swipe the chart to see the rest.

14:427:21SET 1SET 2ENCOREDivided Sky - 13:45 (Set 1)Foam - 9:47 (Set 1)Paul and Silas - 3:09 (Set 1)Guelah Papyrus - 5:46 (Set 1)Reba - 11:40 (Set 1)Llama - 4:39 (Set 1)Bouncing Around the Room - 3:50 (Set 1)Magilla - 4:05 (Set 1)Runaway Jim - 6:45 (Set 1)Sweet Adeline - 2:28 (Set 1)My Sweet One - 4:02 (Set 2)The Curtain - 6:32 (Set 2)Fluffhead - 14:42 (Set 2)Stash - 8:20 (Set 2)Esther - 9:18 (Set 2)Split Open and Melt - 8:07 (Set 2)The Squirming Coil - 6:29 (Set 2)Rocky Top - 2:43 (Set 2)Fee - 5:50 (Encore)Chalk Dust Torture - 5:30 (Encore)
Longest: Fluffhead 14:42 · 20 songs with recorded lengths
When it debuted

Tonight's unique songs by the era Phish first played them.

  • '83-'8910
  • '90-'9410
Album representation

The studio home of each song, from phish.net. Covers count as one slice.

  • A Picture of Nectar5
  • Lawn Boy5
  • Junta4
  • The White Tape1
  • Covers3
  • No studio album2
Gap since last played

Shows since each song's previous appearance. A big number is a bustout.

  • 1-216
  • 3-52
  • 6-152
Originals vs covers

Whose songbook tonight drew from.

  • Phish original17
  • Artie Shaw1
  • Josh White1
  • Osborne Brothers1
Rarity board

About as chalky as it gets - nothing shelved more than 50 shows.

Gap = shows since the song was last played, at the moment it was played.

Setlist notes

After Divided Sky, Trey spoke about how “exceptional” the room was, and how “inspiring” it was to play in. He explained that the band had engaged in “philosophical discussions” about standing versus sitting at shows. He said that some people may prefer to sit rather than stand and dance, and that the band hoped that everyone would be considerate of each other. (He also noted that he prefers to dance while listening to live music, while Page prefers to sit.) Trey added that he did not want anyone to feel uncomfortable about dancing in the aisles. Sweet Adeline was performed without microphones.

Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.

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