1 Silent jam near the end of the jam segment.
2 Three dead stops during the jam segment and uncommon dissonance.
3 Wolf calls during vacuum solo, final verse sung through vacuum.
4 Let's Go Sandwich: Let's Go bookended Terrapin in Set 2 - the 4th on record, the first since February 9th, 1991.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'8919
- '90-'947
The studio home of each song, from phish.net. Covers count as one slice.
- A Picture of Nectar5
- Junta5
- Lawn Boy4
- The White Tape2
- Covers4
- No studio album6
Shows since each song's previous appearance. A big number is a bustout.
- 1-213
- 3-55
- 6-154
- 16-504
Whose songbook tonight drew from.
- Phish original22
- Cyril Ferguson1
- Duke Ellington1
- Syd Barrett1
- The Cars1
A typical night, rotation-wise - nothing shelved more than 50 shows.
Gap = shows since the song was last played, at the moment it was played.
"The Sounds of Silence" ->'s into a wonderfully noisy version, featuring improvisation that marks the very best "Bowie's," and, in spirit, Phish, generally. Following great composed play, hear a radical departure from the song, proper. Here, too, is a jam that is somehow both of (crazy changes and playful nature) and beyond (an expertly placed false-ending) its time. This is music for all ages.
A fun and spirited early take on the song. Page's organ sounds like he's playing at Fenway Park and Trey's excellent soloing features a "Happy Birthday" tease.
Fast as a Fall '95 "Reba," this centerpiece "Bag" is an improvisational bonanza, showcasing truly unusual and adventurous play. A series of stop/start passages invites inventive exploration (read: Mike) before Trey lays into some seriously crazy sustain; this builds to intense soloing which somehow works to reshape the song's structure, the four then casually whipping through a fierce, fun, glasses-tinkling conclusion.
A "Hood" that doesn't sound like most early 90s versions. The first half is driven by powerful bass play from Mike. Then, Trey takes over with amazing riffs that sound like he never wants to stop playing.
Versions phish.net's jam charts single out as noteworthy.
Trey teased Buried Alive in Divided Sky. Bowie contained Sounds of Silence teases in Fish’s high hat intro, and had a silent jam near the end of the jam segment. Ya Mar contained a brief Happy Birthday tease from Trey. Bag contained a Bonanza theme tease from Trey was also unusually adventurous, with three dead stops during the jam segment and uncommon dissonance. Trey briefly started Horn before Harry Hood, but abandoned it. Before Terrapin, Trey announced that Fish would be “bringing out the big, heavy artillery” for the people in Keene. The “artillery” was Fish’s new vacuum, which made its debut at this show. Fish noted that “if I bleed during this song, that’ll just be part of the effects.” Inspired by his new instrument, Fish took an exceedingly spacey solo during Terrapin, complete with ersatz wolf howls, before singing the final verse through the vacuum.
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.