1 Jah Roy on vocals.
2 Richard Wright on vocals.
3 Richard Wright on drums, Fish on trombone.
4 Alumni Blues Sandwich: Alumni Blues bookended Letter to Jimmy Page in Set 1 - the 26th on record, the first since May 22nd, 1988.
Song length in play order. Tap a point for that song. Swipe the chart to see the rest.
Tonight's unique songs by the era Phish first played them.
- '83-'8925
The studio home of each song, from phish.net. Covers count as one slice.
- Junta3
- The White Tape3
- Covers11
- No studio album8
Shows since each song's previous appearance. A big number is a bustout.
- 1-213
- 3-55
- 6-153
- 16-503
- 51+ · bustout1
Whose songbook tonight drew from.
- Phish original14
- ZZ Top2
- Cyril Ferguson1
- Frank Zappa1
- Jimi Hendrix Experience1
- Lee Dorsey1
- Lynyrd Skynyrd1
- Osborne Brothers1
- Son Seals1
- Taj Mahal1
- The Allman Brothers Band1
A typical night, rotation-wise - 1 song shelved 50+ shows.
Gap = shows since the song was last played, at the moment it was played.
A well-executed Curtain - not spotless, but few, if any, are. This With jam is evocative and captures a sense of weigtlessness, soaring above the musical clouds. Many of these early With jams move beyond this uplifting section, exploring more dissonant, rocking terrain. Not so here, as the band seems content to let this one gracefully recede, following a soaring peak.
Preceding the famed Slip Stitch and Pass version by 9 years, and longer by more than 2 minutes, this jammed out version includes Page rocking first the piano, then the B-3, and a great Trey solo leading to an extended band-wide blues rocker. Part of a 3 song set! ("JJLC", "Fluffhead" > "Whipping Post").
The straightforward first jam section is very extended, to 17:00, and includes great modulation of intensity and lots of Trey shredding. The second jam features Page on the B-3, followed by solid, rocking, but much more in-the-box jamming than some of these versions.
Awesome version which transitions to a reggae party with Jah Roy.
With Jah Roy n vocals. An excellent reggae medley is led by Jah.
The first truly "Type II" version (beginning about 10:00) has a settled section with some "DEG"-like jamming. This version also has sections of intense, chaotic dissonance and great Machine Gun Trey action.
Versions phish.net's jam charts single out as noteworthy.
Ya Mar and the ensuing jam featured vocals from Jah Roy; the jam contained One Love quotes from Jah Roy and Trey. Halley’s Comet featured vocals from Richard Wright. I Didn't Know featured Wright on drums and Fish on trombone. BBFCFM contained Flintstones theme teases from Trey. The master recordings confirm this listing as the correct performance order. Many recordings of this show circulate with an incorrect song order, an incorrect date (May 25, 1988) and an incorrect venue (Ian’s Farm, Hebron, NY).
Setlist, gaps, jam charts, and notes from phish.net, a project of the non-profit Mockingbird Foundation.